queensthief | Member Posts

Late last year, maybe early this? Toby Hadoke asked various people he knew what 17 missing Dr Who episodes they would pick if they were the only 17 left to be found. It now transpires he almost certainly knew, at that point, that 2 episodes of The Daleks' Masterplan had been found, but it got me thinking. My list is something as follows:

1. & 2. The Tenth Planet episode 4 and The Web of Fear episode 3. These both complete stories and are significant, in the first case for the regeneration of William Hartnell into Patrick Troughton and, in the second, for the first meeting with the Brigadier.

Then I have a string of picking one episode from any story for which no episodes exist so.

3. Marco Polo - there are three episodes in contention for this: episode 3 (which features Ping-Cho giving a storytelling performance something not attempted elsewhere in Doctor Who, or much at all these days), episode 5 which features Tutte Lemkow who is mildly (in)famous for having been in Doctor Who three times, none of which survive and having provided choreography for a fourth episode which also doesn't survive, and episode 7 (which is believed to have good fight scenes which, obviously, don't survive well on audio). I'm going to go for Marco Polo episode 3 for the storytelling - alas poor Tutte Lemkow.

4. The Myth Makers episode 1 - the choices here were episode 1 which sets the scene or episode 4 which pivots from farce into tragedy and introduces new companion Katarina. Doctor Who rarely enough does outright comedy that I've picked the introductory episode and it also features Tutte Lemkow so yay!. Also, with the recent returns we have 3/5 of Katarina's episodes and I've no real desire to see more.

5. The Massacre episode 4 - on the other hand, I'd rather see the conclusion of this one, which seems to have been pretty grim throughout, but I'd be interested to see how the Massacre of St. Bartholemew's Eve portrayed via woodcuts worked in practice. It does mean we miss out on William Hartnell's turn as the Abbot of Amboise however.

6. The Savages episode 4 - Episode 4s are tempting in and of themselves, but in this case we get Frederick Jaeger's impersonation of aspects of the first Doctor - seems well worth it.

7. The Smugglers - lots of choices here. Episode 4 once again has a lot of fighting that doesn't work well on audio, but I'm going to go for The Smugglers episode 2 where Polly convinces the stable boy that she can do voodoo.

8. The Power of the Daleks episode 1 - the other side of the regeneration of William Hartnell into Patrick Troughton.

9. The Highlanders episode 2 - in which the Doctor repeatedly bangs a man's head on a desk in ruse to convince him he is ill with a headache.

10. The Macra Terror episode 1 - because it includes the scene in which the Second Doctor is neatened up by a machine - which was cut from the animation.

11. Fury from the Deep episode 3 - which ends with Maggie walking out into the sea.

So now I have 5 left.

12. The Space Pirates epsiode 5 - The Space Pirates is not much loved but people hypothesise this is because the only episode we have involves the Doctor, Jamie and Zoe stuck in part of a disintegrated space station for the whole episode. So let's have another and I've picked one that features the character Dom Issigri because no one seems to know what he looks like.

13. The Power of the Daleks episode 4 - for no other reason that it would be nice to have a later episode of this, after the Doctor has ceased to be quite such a stranger to everyone, and episode 4 of 6 seems as good a place as any to stick the pin.

14 & 15. Marco Polo episode 7 and The Smugglers episode 4 for the aforementioned fight scenes.

16 & 17. The Daleks' Masterplan episodes 4 and 12 for the deaths of Katarina and Sara respectively.

luthien

Urgh. Somehow, I'm writing four stories at once. This is something I NEVER do. I try so hard to focus on one story at a time, because I've come to grief in the past when my attention was divided. But apparently this is the way things roll for me in this fandom. *SIGH*

At least two of the four fics are just one-shots. I'm going to do my best to finish one of them tomorrow, after some sleep. Then I'll only have three WIPs. What could possibly go wrong?

duskpeterson

If you are not visiting the palace in order to attend the Chara's court, then chances are that you are here to visit the council. As you enter the east doors of the palace, turn right, then left, then immediately right. The long corridor before you leads north to the council chamber and council quarters.

Upon reaching the end of the corridor, you will once again find yourself facing high doors, this time plated with copper. Unless you are actually attending a council meeting, the door you want is to either the left or the right of the council chamber. Enquire with the guards as to how to reach your destination. Mainland visitors are likely to be escorted, under guard, to the room they are seeking.

Attendance at meetings of the Great Council are by invitation only. If you are invited, arrive early. If you have been asked to speak with the council, you will be shown to a chair at the bottom of the council table. Do not be insulted. This is where the Chara himself sits, when he is invited to speak with the council.

Remember those high doors? They were designed to keep out the Chara and his guards, back in the days when animosity still simmered between the Chara and the Great Council. These days, the animosity takes less blatant forms, but the Chara is still not permitted to enter the council chamber except with permission of the Great Council's High Lord.

If you are not here to speak with the council but wish to attend a council meeting, you will be shown to a chair at the back of the room. (If you are not accustomed to sitting in chairs, it is best to practice beforehand.) As in the court, your job will be to stay as quiet and motionless as possible. At only two points in the meeting should you move: rise from your chair when the High Lord of the Great Council enters the chamber, and rise again when he leaves. A herald will announce when this is necessary.

After the council meeting, you may wish to visit the council library, just off the head of the chamber. This lovely, light-filled room was added during the reign of the Chara Purvis, at the beginning of this century. It is considered the finest law library in the world, containing hundreds of books of commentary on matters related to the law. Do not to touch the books unless you are here to do research. To Emorians, law books – even books of commentary – are sacred objects.

Northern mainlanders should be aware that stealing a law book can be punished by death. If you must steal something in the palace, confine yourself to objects unrelated to the law.

[Translator's note: In order to visit the Great Council in session, as well as its law library, read Law of Vengeance.]

purplecat

Photo of a canal footpath in the sunshine. Plant pots are hung on the fence by the canal and there are colourful decorations on the trees. Outside the canal barge are some stacked chairs and a table with more plants growing on it. Plant pots line the path and hang from the roof of the barge.

On Friday, while B talked to an electrician I took a walk along the canal at Whaley Bridge.

cahn

Last week: Titus saving the day single-handedly as a millenium-old trope. The synoptic gospels foreshadowing these events, and discussion of the abomination of desolation. The Yom Kippur service description of the priest in his vestments. How much Titus might have intended the destruction of Jerusalem, and when, and how much that question may be different from how Josephus feels like he needs to justify it? A mention of R. Yochanan ben Zakkai, which all of you should definitely tell me more about :D

This week: Jerusalem is under siege. It's quite awful for those under siege, what with famine inside the city and getting crucified by Romans if they try to escape. Titus and Josephus continue to be blameless and awesome.

Next week: First half of Book 6, to be determined? :)

skygiants

Scorched Earth is described on its website as a piece of dance theater about a detective reopening an Irish cold case, a description which fascinated us so much that we made a second patently absurd decision to once again park in NYC just exactly long enough to see a show before continuing on our multi-state travel.

If you'd forced me to describe what I expected from this show, I would have hazarded something like 'Tana French book, adapted as a ballet?' Not at ALL correct. The cold case is not a mystery, not full of twists: we've got one detective, one suspect, one victim, one piece of land (and one ambiguously metaphorical donkey.) The ninety-minute show begins with a series of projected documents explaining the history of Irish Land Dispute Murders before establishing a more-or-less regular pattern: short interrogation scenes between the detective and the suspect, interspersed with bursts of emotion and memory, some dramatized and some in dance.

Sometimes -- often -- this worked extraordinarily well. The land under dispute is represented, personified, by a dancer in a ghillie suit who slithers in and out of the central interrogation/morgue table* like a giant muppet, or the Swamp Thing and dances a violently romantic duet with the suspect -- and it could have looked so silly, as I'm describing it it sounds silly, and instead it was haunting and evocative, perfectly elucidating the narrative themes of the show while also just being a gripping and powerful piece of performance.

*remarkable piece of set design, that table; afterwards we all agreed it was the hardest-working table in show business

Other times, the balance felt a little off; the dialogue would tell us something and then a duet would be danced and I'd think, well, you didn't need to tell us both ways, one or the other would have worked fine. Or I'd start to admire the dialogue for its spareness in suggesting the complexity of a dynamic -- who's from here, who isn't, who has rights to land, who doesn't, what's worth punishing on behalf of the community, what isn't -- and then it say it again more explicitly and I'd be like, well, okay, but you didn't have to. What I'm saying is that I think the show probably could have been just as powerful at sixty minutes as at ninety minutes. But I wasn't at all unhappy to be there for ninety minutes! I was compelled the whole time! If the show sometimes told me things about the situation more times or more explicitly than I needed to hear them, it did an admirable job of not telling me what to think about them, and trying to decide what I did think about them left me plenty to occupy my mind.

A lot of the creative team seem to have a history with Punch Drunk and have worked on Sleep No More explicitly, and it was interesting for me to compare/contrast -- the style of expressive choreography is notably similar, but Sleep No More is a piece of theater that has almost no dialogue, that draws a lot of its power from being oblique and ambiguous to the point of fault. Finding that exact right point of convergence for dance and theater seems to be an ongoing challenge and point of interest for the people coming out of the Punch Drunk school and I'm very curious to see other explorations of it.

luthien

Six-ish sentences from the next chapter of The Secret Marriage:

"Are you ready?" Ilya asks, reaching over to cover Shane's hand with his own once Shane has engaged the parking brake and turned off the engine.

"It's four minutes before ten. I'll have to be."

"We don't have to get married this week."

Shane's hand grips the gear shifter convulsively, and turns to look at Ilya properly. "Do you not want to get married after all?" he asks.

Ilya smiles at him, that oh-so-fond smile that tells Shane he's just said something ridiculous. "Of course I want to get married. But I also want you to be happy about it."

purplecat

The third Doctor and a long-haired gentleman (Cliff Jones from The Green Death for those who recognise characters) examine a mushroom.

vriddy

I was growing really antsy about the missing notifications because day after day the tickets were piling up yet the problem didn't seem to get acknowledged anywhere (not in the known issues on the support page, not on

dw_maintenance, no replies to those tickets... I even went to check the dreamwidth github issues but crickets there too :C).

Anyway, behold! A few of the (many, many) tickets about notifications were updated with the following:

"Our developers have been looking into this and finally figured out what was going on. There's a fix in, and notifications should start flowing again. I can't say if you'll get the old ones, but new ones should be fine."

I can't wait! Thanks to the "Recent Comments" page which I'm checking first like a kinda inbox, I'm fairly sure I'm not missing anything posted anywhere on my journal. Unfortunately, because I have a couple of active posts at the moment, the "Recently Posted" page isn't as useful to me and if someone replies a couple of weeks later to a comment I left on their journal, which is usually one of Dreamwidth's strengths, I'm unlikely to see it if the notification gets dropped :C

Glad a fix is on the way and hope it's coming to us soon!! To all the chit-chat and associated notifications!!!!!!!!!!!!!!!! 😆 (Yes I'm constantly trying to get my inbox under control but not like this 😱 XD)

Edit: There is a

dw_maintenance post about it, now. One of the subthreads asks to share new, recent comments in which the notifications went missing.

chocolatepot

Feeling happy and curatorial this week, I restarted Wedding Wednesday and Footwear Friday on Bsky/Tumblr (and will get back to Miniature Monday as well): they've always been opportunities to practice clear but elegant label-writing, nd now I need that more than I have in several years.

I'm also psyched to eventually meet up with the Western NY Costuming Community after so many years of just not being near any groups. They're having a literary-themed picnic in early June and that will be mere weeks after I move out there, so I CANNOT try to make something, but at the same time I am so itching to do it. No!!! By now I don't think I have anything historical that fits ... Well, actually, I have a ca. 1908 blouse I made for everyday wear (except it looks way too frumpy as modern dress), and surely I could put together a walking skirt and be like "this is for The Secret Garden". And just be without a corset because the blouse is loose enough for it not to be too horrendously obvious.

Also having my usual "moving to a new place, is this when I finally get started with the SCA?" feelings. Thescorre has a lot going on.

luthien

The Secret Marriage (11286 words) by Luthien
Chapters: 3/?
Fandom: Heated Rivalry (TV), Game Changers Series - Rachel Reid
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Shane Hollander/Ilya Rozanov
Characters: Ilya Rozanov, Shane Hollander, Yuna Hollander, Svetlana Vetrova, Hayden Pike
Additional Tags: Alternate Universe - Canon Divergence, Marriage, Secret Marriage, Wedding Planning, Blow Jobs, Tea, string, Ilya Rozanov is a Menace, Ilya Rozanov Loves Shane Hollander, Shane Hollander Loves Ilya Rozanov, mothers, mothers and sons, Friendship, Good Friend Svetlana Vetrova, Good Friend Hayden Pike, Svetlana Vetrova Finds Out About Shane Hollander/Ilya Rozanov, Hayden Pike Finds Out About Shane Hollander/Ilya Rozanov, 69 (Sex Position)
Series: Part 2 of The Secret Marriage
Summary:

Shane Hollander marries Ilya Rozanov on a Friday at his cottage by the lake.

Shane and Ilya decide to get married during their time at the Cottage. It's a secret from nearly everyone, but even secret weddings still need some preparations.

Follows on from 'Out of the Closet'.

purplecat

High curved stone brick walls with low stone seating around the edge and a channel through the middle.

The Bath House, Chesters Roman Fort

vriddy

1. Tracking writing-related stuff daily so doesn't work for me and my brain. I track wordcounts only monthly for a reason!! Because I was planning to finish this proofreading within two weeks or so, I thought I would therefore update my little chart thing to track by day rather than by week so the chart looks more interesting. It does look cool! But tracking daily means I read high numbers as "This is what I am capable of" and any day in which I could only manage 15 minutes or so as a failure. May have to weeklify this chart after all.

2. Especially because, while finishing within two weeks would be convenient for a variety of reasons, I'm not sure the proofreading will go as fast as I hoped. My thought were: okay, the story is a third longer than it was last time I proofread it, but only the new stuff might sound janky! Well. It's been over a year since the last time I proofread, so sentences give me different feelings now. The first chapter hadn't changed a ton, maybe 600 new words, but I spent 3h on it anyway. Just like the average last round: proofread 10 chapters in a little under 3 weeks, average time per chapter 2h54. I have 14 chapters now. Grumbles, grumbles.

3. Thinking a lot about what I want to learn next. The last couple of years have been about "process" especially around editing, what works well for me in general, how to actually edit a big project, how to manage my stamina through it. Over the last couple of months, I've been learning about structure, and loving it. Like, there will be more to learn there for sure, but for the time being I need to put into practice my new learning until it comes more naturally. While this is happening, I really want to improve how I write sentences. Line editing, I guess? My writing feels very weak there right now, or not where I'd like it to be. It won't be something I apply on the witch (would require a complete rewrite), but it's something I hope to pay more attention to for the Soul Thief. Reflecting too on how I want to learn and how I could organise myself for it. For example, I got a copy of Le Guin's "Steering the Craft" a while back that sounds like it should fit the bill? But I found it very intimidating, and I'm not good at just doing exercises either. It's easier when learning happens as part of a real story. Anyway, whatever I end up doing next, it seems like I'm moving from a "learning process" to a "learning craft" kinda mood, for the next while!

skygiants

Made a extremely silly decision this past weekend, which was to break up our long drive to and from Philly by Exactly long enough to see one (one) show in NYC on the way down, and another on the way back. Literally put the car in a garage by the theater, went into the show, got the car out of the garage, and kept driving. And to make matters even sillier the show that we saw on the way down was Bad -- and we knew it was going to be! Or at least we had a reasonable suspicion! But were we not going to go out of our way to see Norm Lewis play Villefort in a Count of Monte Cristo musical? Of course we were. The path before us had simply been prepared.

Q: When you say it was bad, do you mean it was a bad musical as a musical, or a bad adaptation of Count of Monte Cristo?
A: Oh, both! Absolutely both.

Q: What made it a bad musical?
A: Well, the music. And the lyrics. They hit exactly every beat on the Musical Sheet while constantly feeling like less subtle knockoff versions of other songs you might know slightly better. The song you might know slightly better is not a subtle one, you say? Well, I guarantee you that songs such as "Dangerous Times," in which the full cast explain that they are living in dangerous times, and "How Did I Get So Far Away [From Me]," in which Mercedes sadly wonders how she has gotten so far away from herself, are less so. When the best you can say of a song is that it felt like pallid diet Frank Wildhorn -- as in, lacking the noted power and vibrancy of real Frank Wildhorn, composer of such deathless works as Death Note: The Musical -- then you know we're scraping the bottom of the barrel. And that's not even mentioning the frenetic stream of mediocre jokes.

Q: And what made it a bad adaptation?
A: I mean I know there are probably people in the past who have said that Edmond Dantès literally did nothing wrong but I want you to understand: in this show, Edmond Dantès literally does nothing wrong. His backstory takes up the entire first act, and by the time we hit intermission I was already like "huh, there's not going to be a lot of time in here for revenge schemes," but I didn't actually understand how dire the situation was going to be until ( this part of the Q&A gets into quite detailed plot spoilers )

Q: So do you regret your objectively silly decision to go out of your way to see this musical?
A: No I do not, not in the least, and I would have regretted missing it. There is something very nutritious in bad theater, I think. It forces you to consider what good theater might look like. Also, the surprise appearance of Lucrezia Borgia was one of the funniest things I experienced all weekend.

cahn

5/5. I am having SO many feelings about this book that I am not sure I can actually articulate them all. But also I am very aware that my feelings are entangled partially in, uh, currently being obsessed with a fanon ship that maps super easily on to this one, so you know, as usual, I am not to be trusted about my feelings and I'm very willing to believe that it might not hit quite right if one doesn't happen to be exactly in that situation? Anyway... it's about these two eighteen-year-old boys who start the book at boarding school together in 1914. Sidney Ellwood is half-Jewish, social, charismatic, demonstrative, loves and writes poetry. Henry Gaunt is half-German, intense, introverted, anxious, loves ancient Greek. (...I also have Feelings about characters who quote poetry. And, as it turns out, ancient Greek.) The two of them have strong and more-or-less repressed feelings for each other. (Gaunt's feelings are particularly repressed.)

But. It being 1914, it rapidly starts being about something else than boarding school.

I should probably also mention a huge, extremely gigantic content note for trench warfare and historical levels of wounds and death.

( no spoilers, perhaps mild meta-spoilers, but at least I am more-or-less coherent )

Major spoilers, starts reasonably coherent but rapidly devolves into word-vomiting

I was so sure that one or both of Elly and Gaunt would die because it struck me as That Kind of heartbreaking book plus which I guess I've been socialized to understand that Teh Gays Always Die (and Carruthers and Sandys died so early on!! :( :( ), and I really REALLY wanted them to have a happy ending, I can't actually think of the last time I've wanted that so much for a couple, and when they got together I felt like, okay, at least they got one happy time before one of them died! All I wanted was for someone somewhere to get some happiness in the end.

The only thing that surprised me was that Gaunt died when the book was only half over. (BURGOYNE.) I was sure then that the next half would be Ellwood writing poetry about him, like Tennyson, or like Sassoon. I was SO surprised when he turned out to have survived! And then my reaction was that the book was now going to find new and exciting ways to break me (true, but not in the way I thought), and I spent most of the second half of the book worried Gaunt would die in some other way, and expressed that I was never going to forgive Winn if Gaunt died, or Ellwood did, without Ellwood finding out that Gaunt was still alive.

I absolutely absolutely adored Hayes and his friendship with Gaunt and his more prickly friendship with Ellwood and the contrast between him and the public schoolboys (who always get promoted over him, the poor guy), and him looking after Ellwood (both physically and e.g. warning him away from Watts) even though he thought Ellwood was looking down on him. I was also convinced he was going to die because I loved him so much (I actually said that I thought he would make it to the end of the war and then die, just to spite me. I actually said this!) And he didn't die but he ended up with BOTH LEGS (or at least 1 1/2) gone! I was like. Winn. Could you not have left him ONE leg?! COME ON. I would rather Gaunt or Ellwood had lost their legs. HAYES.

(Also Hayes panicking to Ellwood and Ellwood trying very very badly to reassure him (no wonder Hayes doesn't want to write him), then Ellwood having that exact panic after he's invalided out, omg)

I absolutely loved that Elly was into poetry and used poetry to basically articulate his emotions (I do the same kind of thing -- a lot of how I understand the world is made up of quotations from novels and poems and songs; my head has been full of Sassoon and Owen writing this post) and that moment when he declaimed Keats at Gaunt and Gaunt had to accept that he was in love with him, except that was when Gaunt knew he was going to die, auuuuugh. And also when Elly lost his poetry and then -- that little glimpse of how he might be getting it back at the end -- auuuuuugh

And also Gaunt and his ancient Greek and how sometimes he just quotes in Greek and I love it

And also I love that Winn doesn't just give us the one side, when Gaunt gets captured by the Germans it's a very stark reminder that although we've been POV English, the English aren't the only ones dying in this war and that even if it's easy for the English soldiers not to see the German soldiers as people and vice versa, they both are. And Gaunt being half-German of course knew this from the beginning, which adds another layer. This line, augh: Had it not been for his khaki uniform, no one should have known he was the enemy.

(And that shattering German POV, for just a minute.)

And also the prisoner-of-war scenes which are almost comic, we needed some of that at that point in the book, and ALSO Pritchard and Devi totally being like oh, yeah, no big deal at all about Gaunt being an "invert," and making ordinary jokes about it like they would about anything else and being totally accepting, instead of all the rejection and awfulness Gaunt's been fearing (and might have gotten from someone else), and that healing something in Gaunt so that he can face his love for Elly and actually tell him that, and be okay with it even if Ellwood can't love him back, I LOVE THIS and I know it's absolutely wish-fulfillment, but we already saw the part where Caruthers basically committed suicide so he didn't have to deal with the terrible consequences of being homosexual (augh!), so yeeeeeah I didn't need that to happen again, that was quite all right.

And then I read the bit where Maud says she's not going to marry Elly and I was cheering for her and also thinking that okay, even if everyone else's life is messed up (I still worried that Ellwood and Gaunt wouldn't find each other again, at this point) maybe Maud is the one character things will work out for, because it would be awful if she married Ellwood

AND THEN THEY DID MEET AGAIN
And they were both so damaged! Except that Gaunt, having been in the POW camp instead of fighting for a while, had recovered a bit mentally if not physically, and Ellwood was completely broken, augh. I had not thought that they would have to deal with shell shock instead of death, but of course they did

And Maud and Gaunt making up, and Maud being supportive and Gaunt apologizing (he really has been awful to her) and them speaking in Greek to each other <3

This bit: "Sometimes I think the War is harder on parents than on soldiers," said Pritchard. Gaunt could tell he was lying, but Gaunt would have lied too, if he had thought of it. And then, having learned from Pritchard, he says it to Mrs. Ellwood AUUUUUGH

(I said this before, but, now that I have the spoilers to back me up: all the little moments of kindness between characters that didn't have to happen, but did anyway, are I think what make me so hopelessly a fan of this book)

I think as we get close to the ending my thoughts just get more and more incoherent as Winn breaks my heart over and over again and I hadn't at all thought it would be because things were more-or-less going to be okay except that they can't exactly be okay but they can be as okay as possible:
Devi being ALIVE
CYRIL ROSEVEARE giving them the Brazil out!

"You don't have to give me your answer now, of course," said Roseveare. "I've already written to my uncle about you, just in case--"
He didn't finish. They both knew what he meant: in case I'm killed before I can help you.

Also: KEATS
Gaunt giving Hayes a JOB (and not a job as his freaking valet, either, not that I don't love Lord Peter but... like, let's let Hayes have a little class mobility here, that's the LEAST we can do)
"I'm not playing, either."

I mean, the rational part of my brain knows that the book is doing a few backflips to give them an ending where they can be alive and together ~~and not be Alan Turing~~ (although hi I found while writing this post that Robert Graves actually had the experience of almost dying of a lung wound and being reported dead, like Gaunt, though not because he was a pow, so it's not like she's completely making UP backflips, either) but the rest of my brain does not really care -- I think because we saw all the ways in which things could go wrong, it's a little like Carruthers and Sandys ( :(((((( ) and Aldworth and the Roseveare brothers and Lantham and -- and everyone else -- are the other stories that didn't work, that ended tragically, so in a sense my brain thinks of it like survivor bias; not everyone did die in WWI, or even most of everyone; someone had to survive; it might as well be them.
And also because they didn't survive unscathed. At all. Either physically or mentally. Which also seems -- reasonable, statistically speaking.
Also because no one should be Alan Turing (including especially Alan Turing) and I don't at all mind a universe where my characters ARE NOT (now, can I have a fix-it AU for Turing)

Physically speaking: Sassoon (who admittedly did not get his face shot off) lived until age 81 and Graves lived until age 90 after getting shot in the lung, so my headcanon is that Ellwood and Gaunt lived a very long time together :P

And then that last, awful twist of the knife. OH COME ON, the book was DONE and we were all going to live happily (or at least hopefully) EVER AFTER and now the third Roseveare brother is dead (as he dreamed back in the beginning, that was a shoe I had been bracing to drop for forever and when I finally let my guard down...). (While I was reading about WWII poets... I guess this happened to Wilfred Owen. Augh!)

And the LAST PARAGRAPH which didn't even register for me the first time -- I might not have actually read it properly then, because I was too busy trying not to throw the book across the room because Cyril was dead: Let us, like the soldiers of Waterloo, have our century of peace and prosperity, for we have paid for it in blood.

:(
Well, I'm thinking about that a lot this week.

( Here, have the Sassoon poem 'They', because it's been rattling around in my head for days now )

And I suppose reading this book, now, is: well: I think this should be required reading for anyone who tells the old Lie: Dulce et decorum est pro patria mori.

vriddy

Community Thursday challenge: every Thursday, try to make an effort to engage with a community on Dreamwidth, whether that's posting, commenting, promoting, etc.

Over the last week...

Posted and commented on bnha_fans.

Commented on fan_writers.

Commented on 3weeks4dreamwidth. It's coming up soon, April 25th!! I'm hoping to run another rec fest in bnha_fans as part of it, we'll see how it pans out :)

Promoted meta_warehouse, vampiremedia.

Signal boosts:

My regular signal boost for senzenwomen, as I enjoy reading every week about the lives of all these amazing women from the past :D

cahn

Happy day-after-Easter!

Last week: Eyeliner shows that the Zealot faction is really bad! (No, really!) The Year of the Four Emperors, and those emperors discussed. Nero and his end. Lord Hervey of Frederician salon makes a surprise appearance!

This week: Titus attacks Jerusalem, but the factions have already done a lot of the work for him...

Next week: Rest of book 5!

purplecat

As well as a pub whose loss is to be mourned, there was a bus terminal plus petrol station/car wash thing on the corner. This was abandoned, then occupied by squatters, then reclaimed and finally demolished. Then Lidl applied for planning permission.

We have been waiting for our Lidl to appear.

This weekend diggers appeared on the site.

An iron fence through which can be seen a digger and pile of rubble.

An iron fence through which can be seen a digger and pile of rubble.

vriddy

The meant-to-be-just-a-pacing-check-except-not-really cleanup is DONE! VERY anti-climactic because of the unexpected month break right before the end XD The soul thief revision plan is good to go I think, and maybe I knew this time I was happy with it because my mind immediately switched to "finish up the witch remaining work, then we dig into the actual revisions." I even have a tracking spreadsheet ready!! AND I made a chart this time! I learnt about secondary Y axis and how to attach a data series to it so it scales properly! Lol. There may be PICTURES in my next recap XD I'm kind of planning 3-4 months for those revisions, but it's the first time I go so deep during the structural phase so I have no idea how it will go. The witch only took ~14h, but the changes were a lot simpler (to my detriment, since I ended up having to make large structural changes 3 rounds of revisions later based on beta-reader feedback. Ouch!) Very eager to find out how it will go this time!! And feed data to that chart >:D

I was so excited about my little chart that I decided to make one for the remaining scenes of the cursed witch's pacing check, too. 18 scenes left. It took me nearly 1h30 to fix up that first scene because it was a fight scene that dragged a lot. Slow, slow, slooooow. So I figured, 18 scenes, 2-3 weeks to do it! I can copy my scenes-per-week chart, with a dot for each week! Well. The pacing check was intended to be light. Only the big, you know, PACING problems. Of which there were fewer in the following chapters, so I finished it all up in several feverish sessions over a 3-day weekend 🤣 MY CHART IS A SINGLE DOT. This is so funny. If I'd known it'd go so fast, I probably would have tried to squeeze it alongside the workshop, but maybe I just needed a break.

Anyway, it was a happy surprise to return to the witch and enjoy it! I've learnt a fair bit about structure during the last month, and while -- as I feared -- I do see all the places that I would handle differently now... I don't hate it, nor feel anguish at how much better it could be? I dunno. Although, the dark side of taking yet another long break is that I feel so refreshed that I could smash myself against another round of editing... I could. Forever over and over, possibly. But I do need to learn when to move on, too.

( So what comes next? )

Current Mood: productive

duskpeterson

ONLINE E-BOOK (html, epub, mobi, pdf, and xhtml)

Free at my website.

The Motley Crew (The Thousand Nations). When a young man named Dolan flees from the north, he faces danger on all sides. The Northern Army wants him back. The Empire of Emor wants him dead. His native homeland of Koretia may not want him at all. And his only protection is a man with motives that are mysterious and possibly deadly.

New installment:

Side story | Dangerous Games. Dangerous games benefit dangerous men . . . unless those games are played with leaders of dangerous men.

REISSUE

Already available free at my website, this omnibus is now also available at AO3, SqWA, Ream, and online bookstores.

Blood Vow (The Three Lands). He has taken a blood vow to the Jackal God to bring freedom to his land by killing Koretia's greatest enemy. But what will he do when the enemy becomes his friend?

BLOG FICTION

Tempestuous Tours (Crossing Worlds: A Visitor's Guide to the Three Lands #2). A whirlwind tour of the sites in the Three Lands that are most steeped in history, culture, and the occasional pickpocket.

New installments:

History of the Chara's palace.

The Chara's court.

Enthronement of the Chara.

REVIEWS OF MY FICTION

Speculative fiction writer Jennifer R. Povey posted reviews of all six of my Three Lands novels in the space of less than three weeks. Occasional spoilers.

UPCOMING FICTION

Some of you may have noticed that I updated my website early this time. That was because I was uncertain when I would regain the ability to upload web pages, after my transfer to a new webhost. Thankfully, the transfer went smoothly, with no downtime for my website.

Also, I'm posting this update a day early because I'll be watching Artemis II tomorrow afternoon. :)

My next release will be the final part of the novel The Motley Crew: "Apprehended Ambassador."

My fiction announcements are also available by e-mail and feeds.

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Eddis, Attolia, Sounis

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Doctor Who Missing Episodes

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FIC: Emorian council chamber (Tempestuous Tours)

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The Jewish War: Last half of book 5

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Six Sentence Sunday

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The Jewish War: First half of Book 5

Lidl is Coming

Witch so-called pacing check: complete!

UPDATE: Dangerous Games (The Thousand Nations)

ONLINE E-BOOK (html, epub, mobi, pdf, and xhtml)

REISSUE

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