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Date: 8/31/13 09:38 pm (UTC)no subject
Date: 8/31/13 10:48 pm (UTC)(no subject)
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Date: 9/1/13 12:09 am (UTC)p.s. I'm enjoying Rae Carson's series very much. Lots of strategizing there, too
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Date: 9/1/13 01:24 am (UTC)(no subject)
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Date: 9/1/13 02:42 am (UTC)no subject
Date: 9/2/13 03:40 pm (UTC)no subject
Date: 9/1/13 05:16 pm (UTC)(no subject)
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Date: 9/1/13 08:46 pm (UTC)(That being said, I think the naming of a certain wizard in an otherwise enjoyable book by a highly respected author who is one of my childhood inspirations has to count as the greatest naming disaster I have yet encountered. Fthoom?)
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From: (Anonymous) - Date: 9/3/13 10:35 am (UTC) - Expandno subject
Date: 9/2/13 03:05 am (UTC)I had the same problem with the names in the Pern books. F'lar and F'tan and F'lon --or whatever their names really are-- just all blurred together. That's the main reason that I haven't read more of that series.
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Date: 9/3/13 10:13 am (UTC)--Handmaiden
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Date: 9/4/13 03:04 am (UTC)I thought the names in Graceling were bad, too. They all sounded arbitrary. None of them had any similar sort of linguistic integrity, if you know what I mean... they didn't sound like they came from the same culture, or if from different cultures they weren't distinct enough. I couldn't figure out what it meant that Katsa had a generic fantasy name (I don't mind Katsa actually), Po sounded would-be Asian, and Bitterblue had a name made of English words. If Bitterblue had been from a country where all the names were made up of English words combined, that would have been ok. But I don't think she was (as far as I remember, can't recall the other names of her people). Same with Po and Katsa. They seemed random and unrealistic, or like they were trying too hard. Not natural.
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Date: 9/1/13 05:27 pm (UTC)no subject
Date: 9/1/13 06:42 pm (UTC)Anyway, all I said was that I liked Po's name, because it reminded me of Teletubby!Po who had always been my favourite Teletubby. XD But you're right in that it wasn't quite fitting with Graceling's male lead, since it requires a certain level of dorkiness to carry off a name like Po.
But hey, his *real* name, Prince Greening Grandemalion, isn't very flattering either. I always thought it kind of sounded like "grinning grandma lion". =D
As far as Katsa goes, I noticed that quite a lot of female characters have sported feline names, like Catherine and Katrina and stuff... and they all have feisty personalities.
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From: (Anonymous) - Date: 9/3/13 10:25 am (UTC) - Expandno subject
Date: 9/2/13 02:02 pm (UTC)Harry, Ron, and Hermione.
Eli, Josef, and Nico
Jiaan, Kavi, Soraya
Finn, Keiro, Attia.
These are just a few from books I've read recently. What do you guys think?
And just to clarify....I'm not being super-feminist or anything, it's just something I've noticed.....
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Date: 9/2/13 05:38 pm (UTC)Oh, and then there's Riyria. There's 2 main groups, Royce, Hadrian, and Arista, and then there's Modina, Amelia, and Nimbus. So it kind of spans both sides. (However, this of course is a six book amazingly complex series, so it can afford to have 2 - or more- plots and character sets going on ....)
I think 3 is a good number because it's odd (artists think odds are better), and it keeps it from being overcomplicated. I think that it is determined this way: There is the main character and his/her buddy that person they have shared their secrets with forever, who is usually the same gender as the main character. Then, there is the third person who is the opposite gender of the main character whi is meant to "fill the gaps" in the main character's character (so for HP, Hermione is the book smart brains b/c Harry and Ron can't manage that!) (Of course this does not fit for Farsala, but hey, there's always got to be a few rebels!)
I was going to say that the more female leads there are, there should be more Healing War trios, however, I think female lead books tend to tilt toward romance in many cases, leaving the main character and her two boyfriends (thank you Twighlight and HG)
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Date: 9/2/13 04:04 pm (UTC)After that, I needed to hit my brain against something a little more solid, so I began Shakespeare's Richard the III, in anticipation of The Hollow Crown airing on PBS Sept 20. (Check out the previews on YouTube... it looks fantastic! And so many great actors involved! I'm excited. Linky link: http://www.youtube.com/watch?v=RmsDfjp3Jh4) However, I belatedly realized THC begins with Richard the II, not III. So now I'm halfway through III and wondering if I should just finish it, or abandon it for II. Derp.
Other than that, I'm eagerly awaiting The Dream Thieves by Maggie Stiefvater, out Sept 17. I liked The Raven Boys and the sequel looks promising.
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Date: 9/3/13 02:47 am (UTC)(no subject)
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Date: 9/3/13 03:48 am (UTC)Speaking of new Shakespeare film adaptions, have you seen the trailer for the new Romeo and Juliet coming out in October? It looks like it's going to be a gorgeous film (aaaaaand again I'll be seeing by myself, alas).
The Raven Boys didn't exactly hit the spot for me like it did everyone else, but I keep on hearing good things about it and The Dream Thieves as well.
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Date: 9/6/13 10:08 pm (UTC)Squee!
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Date: 9/17/13 03:13 am (UTC)no subject
Date: 9/2/13 05:49 pm (UTC)Sometimes "fantasy" books hit on some very important truths: myths, legends, heroic stories and songs are just plain elaborated.
My three favorite examples (sorry, the quotes are just my best recollections)
In Squire by Tamora Pierce, Kel complains about how boring "war" is, and how the "songs" never talk about the mud in your teeth. And Dom tells her that the songwriters glorify it b/c the girls back home don't want to hear about mud in their lovers teeth, they want to hear about how brave they were and how glorious the campaign was. Kel gets a tough lesson in reality, despite the rest of the series being a "fantasy" version of kings, knights, and castles.
In Crown Duel by Sherwood Smith, Mel asks a very important question. When she notices that they were riding off to face their enemy, all sick from riding in the rain, she remarks (to herself) "If we win, will our colds be in the songs" proving the songs don't always tell the "real" truth about what happens in war.
In Forging the Sword by Hilari Bell, Soraya is "eaves-dropping" on a supposed traitor, is very disappointed that they are not discussing their traitorous plans while she was listening. "in the stories, the villian always had the curtesy to discuss their plans while the hero(ine) is listening." The whole Farsala Trilogy also shows how rumors, legends, and stories can be created and enhanced just by their circulation.
Anyway, these are just some truths that are taught in "frivolous" fantasy books!! :)
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Date: 9/2/13 10:32 pm (UTC)(no subject)
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Date: 9/2/13 10:54 pm (UTC)(no subject)
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