Shadow Princess
Sep. 4th, 2010 02:31 amHi there. Part-time lurker coming out because I know that all of us have had, at least once, that kick-in-the-head moment where we're looking at something unrelated and think suddenly, "but that's just like a QT character!" I wanted to share this one, since I'm wondering if I'm the only person who sees it.
Anti-heroes are easy to find if you read the right books: all those troubled men stamping around and looking gloomy. Or wuthering, or something. A hero worth his salt should be able to get away with almost anything and still remain on the side of good. This is much less true of women (excluding for - I know - the exceptions of mid-Victorian sensation schemers, Faith, and anybody in a dress on HBO's Rome), and I've found I have to keep my eyes peeled to find anti-heroines. This is why I like Attolia so very much. She's both a woman who will eat you for breakfast, and the love of Gen's life, and I think her personality is one of the most interesting things in these books.
I have Attolia on the brain because I was sitting in Row G of a theatre watching a terrific production of Dangerous Liaisons and I thought - first - "heh heh, this is like two hours of listening to Attolia talk to the Mede Ambassador," a thought which ripened into, "gee, Mme. de Merteuil sounds a lot like Attolia." Then I felt bad.
More below the cut, since this is a bit long and I figure any time Dangerous Liaisons is under discussion, there should be some kind of adult content signpost. I certainly hope this doesn't get too explicit, but please do note that this is a play (and a novel) with grownup language and content.
Dangerous Liaisons is about two congenital schemers - Merteuil and Valmont - and their attempts to get one over on each other (figuratively and, yes, literally) by ruining the lives of three other people who got stuck in their orbit. If you've seen Cruel Intentions, you know what this is about; I'm pretty sure the only thing in that movie that isn't in the original novel is Kathryn's coke habit. Nobody's very likable here. The good end unhappily, the bad unluckily, and everyone is going to get guillotined in about 8 years anyway. It's not the most cheerful thing ever written, but I do love it.
What I think is interesting here is not so much the hardened rake semi-reformed by love, which should be the main plot. I'm a lot more interested in the other two women - the ones who aren't interested in being virtuous. Here's what the Marquise de Merteuil has to say for herself (and disregard the scary and reptilian Valmont in the first minute or so...):
Now, Merteuil is nobody's idea of a nice person - though I doubt she's ever actually granched a rebellious baron - but to me this incredibly smart woman trapped very young in a world where no one takes her seriously sounds rather surprisingly similar to Attolia. It makes me wonder what Attolia would be like sans Gen, and appreciate him even more for marrying her and taking care of her - not that I don't appreciate Gen for his own impressive skills.
So I suppose this is the non-YA Attolia or something? Or maybe just one of those moments when you realize you should probably read something else and stop looking for parallels everywhere you go.
Anti-heroes are easy to find if you read the right books: all those troubled men stamping around and looking gloomy. Or wuthering, or something. A hero worth his salt should be able to get away with almost anything and still remain on the side of good. This is much less true of women (excluding for - I know - the exceptions of mid-Victorian sensation schemers, Faith, and anybody in a dress on HBO's Rome), and I've found I have to keep my eyes peeled to find anti-heroines. This is why I like Attolia so very much. She's both a woman who will eat you for breakfast, and the love of Gen's life, and I think her personality is one of the most interesting things in these books.
I have Attolia on the brain because I was sitting in Row G of a theatre watching a terrific production of Dangerous Liaisons and I thought - first - "heh heh, this is like two hours of listening to Attolia talk to the Mede Ambassador," a thought which ripened into, "gee, Mme. de Merteuil sounds a lot like Attolia." Then I felt bad.
More below the cut, since this is a bit long and I figure any time Dangerous Liaisons is under discussion, there should be some kind of adult content signpost. I certainly hope this doesn't get too explicit, but please do note that this is a play (and a novel) with grownup language and content.
Dangerous Liaisons is about two congenital schemers - Merteuil and Valmont - and their attempts to get one over on each other (figuratively and, yes, literally) by ruining the lives of three other people who got stuck in their orbit. If you've seen Cruel Intentions, you know what this is about; I'm pretty sure the only thing in that movie that isn't in the original novel is Kathryn's coke habit. Nobody's very likable here. The good end unhappily, the bad unluckily, and everyone is going to get guillotined in about 8 years anyway. It's not the most cheerful thing ever written, but I do love it.
What I think is interesting here is not so much the hardened rake semi-reformed by love, which should be the main plot. I'm a lot more interested in the other two women - the ones who aren't interested in being virtuous. Here's what the Marquise de Merteuil has to say for herself (and disregard the scary and reptilian Valmont in the first minute or so...):
Now, Merteuil is nobody's idea of a nice person - though I doubt she's ever actually granched a rebellious baron - but to me this incredibly smart woman trapped very young in a world where no one takes her seriously sounds rather surprisingly similar to Attolia. It makes me wonder what Attolia would be like sans Gen, and appreciate him even more for marrying her and taking care of her - not that I don't appreciate Gen for his own impressive skills.
So I suppose this is the non-YA Attolia or something? Or maybe just one of those moments when you realize you should probably read something else and stop looking for parallels everywhere you go.
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Date: 9/4/10 09:29 am (UTC)I do believe you have found yourself a Victorian (and more adult) Attolia.
I am also fascinated by female anti-heros. They are not as accepted in literature as male anti-heros, because I guess people are more weirded out by them. I wouldn't so much call this sexism, as the human expectation that woman are more gentle, more kind, more sensitive than men. When a woman is cruel, she is not simply insensitive. She fully understands what she is doing but goes through with it anyway.
When we compare that with a male anti-hero such as Artemis Fowl, we find that the audience is more comfortable with this character, because they assume he is just immature and insensitive. With guidance it is possible for him to learn not be this way. With women, people don't assume that as readily.
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Date: 9/4/10 02:51 pm (UTC)I think you're right that people are more weirded out by women who can do bad things and stay good guys. There's something uncomfortable about that - maybe it's because we expect so many innocent female protagonists, or because, as you say, women are expected to be more gentle and sensitive. And even with heroes older than Artemis Fowl, there's a character-type of obnoxious hero available to men that's less available to women.
Hmm. Yes. Anyway, glad to know it isn't just me.
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Date: 9/4/10 03:11 pm (UTC)no subject
Date: 9/4/10 05:54 pm (UTC)Frankly, I think it depends on the anti-hero. I think of anti-heroes as being specifically the characters you can't help loving, but who do things that make you very uncomfortable. There are bad-tempered or enigmatic men who can be heroes without being "anti" as such (say, like, Ramses Emerson), and then there are people like Merteuil and Valmont, or Francis Crawford. You're supposed to like Mr. Darcy even though he's rude; you like Sweeney Todd through sheer force of personality.
I do take your point, though ;) Anti-heroes are getting more and more acceptable, bu the woman are a lot more interesting. Although I wonder if we're going to see an increase in anti-heroines when all the Larsson knock-offs come out in a year or two.
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Date: 9/4/10 03:39 pm (UTC)no subject
Date: 9/4/10 05:48 pm (UTC)I love Vorena, btw. It's awful, but I do.
OH - and I don't know if you know this, but the original original DL starred Servilia as Mme. de Merteuil. I bet it was delicious. Here's a little TV spot about it...http://www.youtube.com/watch?v=sIkTue5N9WE&feature=related
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Date: 9/4/10 04:04 pm (UTC)no subject
Date: 9/4/10 06:01 pm (UTC)That's my theory.
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Date: 9/4/10 05:11 pm (UTC)no subject
Date: 9/4/10 05:57 pm (UTC)Tennyson is a mess. But what's interesting is that his very sexist and sentimentalized writing is roughly contemporary with some of the nastiest and most fun anti-heroines I know of. Vanity Fair is an amazing book and Becky Sharpe is...well, something special, anyway.
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Date: 9/4/10 07:06 pm (UTC)I just have to say this is the best summary of Dangerous Liaisons ever.
And I agree that Merteuil is very much what Attolia was heading for before Gen gave her the opportunity to choose a different path.
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Date: 9/5/10 03:40 am (UTC)comments are so interesting but will join in discussion later, must go do... family stuff grrr
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Date: 9/5/10 09:06 pm (UTC)no subject
Date: 11/19/10 04:00 am (UTC)I totally fully 100% support this theory. I mean, okay, granted, there's the "you can't trust anything she says, it's a letter, she's had like fifteen opportunities to revise it, who knows if she really just 'dashed it off' or if she took those fifteen opportunities" thing but--no, she's totally still in love with Valmont. And, you know, totally enraged that he wants her but doesn't care about her--the fact that another woman consumes him means that he will never be hers the way she is his, and that drives her batty.
/was rooting for them to work it out, what?
/should probably not be allowed to read fiction anymore or something
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Date: 9/6/10 07:16 am (UTC)I think you're absolutely right that women characters are far more confined in their range of acceptible behaviour than male characters. It is very rare to find a female Rorschach... I'm trying to think of one...?
As people were saying above, the range of acceptible heroine behaviour in films has expanded to include the kick-butt women (who can fight, though often in an overly beautified way), but in terms of personality, it's still hard for female characters to have challengingly harsh personalities. Or to be controlling. If Attolia were a king, do you think her behaviour in murdering her political opponent (husband) and cutting off gen's hand would be seen as less "controversial"?
I think the kick-butt women (haha) are often cited as the "strong female character" quotient of a story (read: movie), and while this fulfills a good symbolic function (i.e. "she's powerful, see, she can beat you up! and that proves it") women with other types of power are still often invisible. I'm probably not being inclusive enough with this generalization. But I do think the double standard has something to do with a certain type of authority, which is okayed for men but not women.
It's funny, but I never considered Attolia to be a particularly ground-breaking character, I took her depth for granted, and I think you're right that has everything to do with this being a YA book. If QoA were a film, my mind would have been blown: The Cruel Ice Queen ends up being sympathetic --without having to be the Bad Girl who is Redeemed? forgiveness and love trump revenge? Just goes to show how much more advanced some genres are... *coughYAcough*
~end of not-very-well-thought-out rant, off to go think about this more~
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Date: 9/6/10 06:45 pm (UTC)*snicker*
Like Laura Croft? Look! She can bet you up in heels and still look sexy the whole time she's doing it.
*groan*
My problem with that isn't so much that the LC arc-types are considered Mary-Sues, but that I find the concept insulting to woman who are soldiers and police officers. Not to mention, "the hot girls with guns" phenomena is meant to be eye-candy for men not role-models for feminist women.
One of the few characters I've actually seen done right that way, is Jo in Eureka. She has always seemed to me to be an accurate representation of "a tough woman". When she's in her uniform and and on the job, she's intimidating and tough looking. When she's at a party in a dress, she a very attractive woman who is out for the evening. There also doesn't seem to be any "gender-crisis" with her either, which is believable for a third-wave feminist generation.
Part of the reason movies are less advanced in their female characters, is Hollywood has often said that their prime target in the movie market is teen-aged boys. With the rise of the video-game generation, profits have dwindled from that age group. Hollywood would be wise to adjust their target audience, and retire the female action hero eye-candy.
running in heels
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Date: 9/7/10 12:19 am (UTC)Random fact that I read somewhere: In Iron Man 2, the Black Widow took her hair down for the fight. I remember reading an entire message board with comments that read "It must have been a man who thought of that; no woman would leave her hair down to fight. It gets in your eyes, it can be pulled, etc."
Not sure why I thought of that... rereading your comment.
OH! In a way, I hate that people think that YA characters like Katsa or Katniss are automatically strong female characters because they're physically strong. THAT ISN'T HOW I DEFINE STRENGTH, Y'ALL. There's more to it than that.
And there are some YA books that do get it so, so right.
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From:Mary Shannon, U.S Marshall
Date: 9/7/10 06:42 pm (UTC)I have recently fallen in love with the show, In Plain Sight, and now I have just realized through this discussion that the main character, Mary Shannon, is an excellent example of an antiheroine. You should check the show out.
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Date: 11/19/10 03:53 am (UTC)/reads all the comments